The following articles first appeared in slightly different form in RELAPSE #16 (February 2010), edited by Peter Weston, under the titles 'The Cosmos Club & the 1944 Eastercon' and 'Hunting the Past'. Much of the information about the con was extracted from the souvenir booklet EASTERCON 1944, edited by Cosmos Club member Bruce Gaffron. That's his logo design for the booklet reproduced above.

  1. The Cosmos Club
  2. Day One: Saturday, April 8th (London)
  3. Day Two: Sunday, April 9th (Teddington)
  4. In Search of the Cosmos Club & the 1944 Eastercon

Known attendees:
John K. Aiken
Syd Bounds
Tommy Bullet
Hal Chibbett
W.A. Deveraux
George Ellis
Bruce Gaffron
Alan Gasgoigne
Walter Gillings
H. Gomberg
Fred Goodier
Peter Hawkins
Arthur Hillman
Gordon Holbrow
Don Houston
Ron Lane
Michael Lord
John Millard
Ouseleys (Mr & Mrs?)
Frank Parker
Lawrence 'Sandy' Sandfield
Dennis Tucker
Arthur Williams

Syd Bounds

John Millard

Dennis Tucker

Arthur Williams


Despite the country being at war, British fans of the 1940s managed to organise four conventions during World War II. None involved hotels, so fans attending those that lasted more than a day needed to make what overnight arrangements they could. An informal gathering of fans in London in September 1941 is sometimes listed as a convention - Bombcon - in old convention programme books, but I've never considered this a true con (nor did those involved, judging by the report in FUTURIAN WAR DIGEST #13) so it's not included in my numbering.

The NECONs, organised in Leeds by J. Michael Rosenblum in Decembers 1943 and 1944, were basically small relaxacons. The Midvention, organised by the 16 year-old Roy Johnson and sponsored by the wartime British Fantasy Society (no relation to the present day organisation of the same name), was a little more ambitious. Held between 23rd and 26th April 1943 it attracted fourteen attendees, and Johnson ran it with the help of Rosenblum, Don Houston, Arthur Williams, Ralph E.Orme, and A.W.Gardner, and with further assistance from a Birmingham based sub-committee of Tom Hughes and Arthur Busby -- all of which seems a bit excessive for such a small convention. Which brings us to the 1944 Eastercon. But first, a little background on those who organised it.

The Teddington group known as the Paint Research Station Science Fiction Library had started life in 1940 when fan E.Frank Parker had donated his library of SF books and magazines to help members of the National Fire Service to pass the time when 'standing by', and had grown from there. Initially there had been some hostility, followed by interest, and then enthusiasm. A monthly news-sheet (called MEMO-SHEET) was issued and in 1942 the full-size, single-copy fanzine BEYOND began to appear quarterly. This featured the work of upwards of two dozen different writers during its life and that of almost as many artists. The writing was primarily amateur fiction but this sometimes meant novelettes of 30,000 words or so. BEYOND was at first edited (and typed and bound) by Parker and John Aiken but Parker had to "...retire into pseudonymity..." when certain authorities at the Paint Research Station decided that SF was good for neither science or morals. As a result of such pressure the club was at times almost an underground movement and, as a natural consequence, thrived. However, the group did not come to the attention of British fandom in general until October 1942 when Parker announced its existence in FUTURIAN WAR DIGEST #23.

On March 16th, 1943 the group decided to sever their connection with the Paint Research Station and to rename themselves the Cosmos Club (CSC). This was duly reported in FUTURIAN WAR DIGEST #27. On April 13th, the CSC held their first meeting at Shirley's Cafe on Teddington's Park Road, the permanent venue for their meetings thereafter, and welcomed new member Bruce Gaffron into the fold. With the change in name, the club also decided to discontinue MEMO-SHEET and start a new clubzine. This was COSMIC CUTS. The first issue appeared in May and was edited by Gordon Holbrow. (Dennis Tucker would take over as editor with the August 1945 issue.) As the largest active fan group in the country during this period the CSC became one of the three pillars of wartime British fandom, alongside FUTURIAN WAR DIGEST and the British Fantasy Society.

In December 1943, the Cosmos Club revealed their plans for a convention the following year, with the single-sheet CONVENTION EXTRA in both in COSMIC CUTS #5 and in Parker's LAMPOST #1, one of the 'litter' of accompanying small fanzines that rode out with FUTURIAN WAR DIGEST #32 that same month. The relevant pages in LAMPOST were also pages 9 & 10 of COSMIC CUTS #5 and so presumably a deliberate print overrun.

Here it is! This is big news, and this is a potential conventionee reading it! Mark it now and mark it well, for you'll hate yourself if later on you find you haven't.

There is to be a Science Fiction Convention in this country next year, A real, honest-to-goodness Convention, in the acknowledged style of the best Conventions. A sure and certain Convention - a Convention that will live in your memory long after the recollection of lesser fan events has faded.


Make no mistake. These are not "tentative plans", subject to drastic alteration at the last moment. Teddington's Cosmos Club is assuming the task of organising this Convention, and it will positively take place, when and where advance notices have said it will.

Easter 1944 is the date to remember. London and its environs is the locale. And the Convention will be spread over three days, Easter Saturday, Sunday, and Monday.

The rest of that first side was taken up with hyperbole, but on the reverse was the projected programme for the Eastercon, which was as follows:


2 p.m. Assembly, roll-call, introductions -- Waterloo Station, London: News Theatre, Platform 1, The Charing Cross Road. 'Nuff said.
5 p.m. Tea (ready arranged) -- at London teashop. Visit to News Theatre (Disney week) or informal Convention conferences.
7.30 p.m. Chinese dinner (ready arranged) at a London restaurant. Eminent guests will speak.

SUNDAY - "A Day in Cosmopolis"

All Sunday's events will take place at Teddington (35 mins by train from Waterloo, or about 1 hr. from Marylebone or Paddington on 27A bus). The Convention Hall is at Shirley's Cafe, Teddington, close to Teddington Station and next to Clarence Hotel Bus stop.

10.30 a.m Assembly, Convention address - the President

Followed by :-

  • Film Show (including the amateur CSC film and silent fantasy films)
  • Musical recital (Bach, Mozart, Sibelius and Beethoven)
  • Auction
  • Debate
  • Speeches
Lunch and tea arranged.


  • Informal events
  • Farewell party.

--------------- AND THE COST

All meals and entertainment mentioned in the Programme are included in the Convention Fees. Fans will entail no extra cost other than travelling expenses and (if necessary) bed and breakfast charges.

Full Programme Saturday to Monday 15/-

Saturday only 7/6
Sunday only 7/6


The pampered fans of today complain when the con programme is split between adjacent hotels rather than all under one roof. One can only imagine how they would react at the prospect of a thirty five minute train ride between venues.

The second CONVENTION EXTRA rode out with LAMPPOST #2 in FUTURIAN WAR DIGEST #33 (Feb 1944). This reported that Arthur Williams would be producing a convention booklet and that there would be a Fantasy Museum at the convention, display items for which would be gratefully received. However, the big news concerned the 'eminent speakers':

"Mr Walter Gillings, ex-Editor of 'Tales of Wonder' and Director of Utopian Publications Ltd., has agreed to act as Convention President, and will open the Sunday morning session with a Presidential Address. And, circumstances, the Guest Speaker at the Convention dinner will be none other than the distinguished Professor A.M.Low."
The third and final issue of LAMPPOST went out with FUTURIAN WAR DIGEST #34 (April 1944), its front page consisting of a map (incorporated later in this article) of how to get to the convention. This looks to have been sized for American quarto paper. Sadly, it was printed on UK quarto and so ran off the bottom of the page. Not that this appears to have deterred anyone.