Ticket for Saturday membership

Saturday 31st May

PETER CAMPBELL:

Life started at breakfast-time in the Avondale Hotel, when Eric Bentcliffe (the Hair) came down and introduced himself, with Taffy Williams (the Brain) following only inches behind. Eric gave me a copy of the NSFC CHECKLIST to read while he and Taffy snuffled their way through plates of cornflakes. I spent a few minutes looking over the CHECKLIST, an excellent product, and asked him how it was reproduced. He headed me off this question, so I presume that either he knew as little as I about it, or else he had some sinister secret to hide- (Later on I saw WAW clutch a copy of this booklet, examining it with horror-stricken eyes, as if he visualised SLANT toppling from its mighty pinnacle and falling with a loud splash into the Irish Sea.

After breakfast we were Joined by George Ellis, another NSFCer and one of the old guard of fandom, and went out to see if there were any books for sale in London. We travelled by tube, which was quite an experience for such a country bumpkin as yours truly. I had about as much idea as a character in a van Vogt plot. The ticket-machine system had me slightly confused, and I've still got a Russell Square ticket which I never got round to using; this is offered at 50% reduction (plus postage) to any interested takers.

Near Piccadilly Circus is an area which seems to be chock-full of bookshops. New books, second-hand books, millions of 'em -- and a surprising amount of s-f in the window displays. We spent a happy hour there, although most of us got lost and had to be searched for at least once.

Presently, as it was getting near time for the Con to start, Eric and I left the others and worked our way deviously back to the Avondale. Our route was devious mainly because we were gossiping instead of looking where we were going. And a pedestrian who swung his arm in a 90-degree circle and told us "that way" was not particularly helpful either. Eventually we got there, picked up a suitcase full of magazines which Eric was going to sell, and crossed the road to the Convention, in the Royal Hotel. We managed this without getting lost, which was very fortunate because I was carrying Eric's suitcase (why do Ass Editors get all the donkey work?)

CLARKE:

We parted in London that morning; Walt to collect a case at Victoria, myself to invade the 'Royal Hotel'. It was 10.15, but there were 7 or 8 fans there already.


Tony Thorne's display (avc)

Tony Thorne was fixing up an exotic display of drawings and photos of his new club-cum-shop and another gent from the vicinity of Charing Cross Road who's been taking a (commercial) interest in s-f was setting out hundreds of books, and Tony Cooper had racks of carefully displayed 'zines. I hastily inserted a 'Committee' badge in my lapel, but couldn't get any free samples.


The new vendor (eb)

I was introduced then to Dave Wood and Ken Potter, the Boy Wonders of Lancashire, who had a table positively littered with hand-written fanzines. I had a little trouble in distinguishing which fan was which at first, but eventually settled on the mnemonic Kurly Ken and made out OK. Also on hand was John Gutteridge, another young fan but from Southern England.

WILLIS:

The Convention proper was supposed to start at 11am the next morning with "Informal Sessions and General Introductions". I collected my suitcase and a dirty look at Victoria Station and hurried to the Convention Hall to find that this was the Convention Committee's way of saying that us fans could come in the morning if we liked but as far as they were concerned the Convention wouldn't start until the afternoon. I took the opportunity to arrange my exhibit, which consisted mainly of current issues of virtually every worthwhile fanzine in the world including (in no particular order) SFN, SFNL, NEWSCOPE, STRAIGHT UP, QUANDRY, CONFUSION, UTOPIA, RHODOMAGNETIC DIGEST, STOP GAP, OPERATION FANTAST, SPACESHIP, WASTEBASKET, OPUS, JOURNAL OF SF, SHADOWLAND, FANTASIAS, MAD, OoOPSLA, TIMA, PHANTASMAGORIA, SLUDGE, C/SFD, FaANTASY ADVERTISER, SHANGRI LA, THE OUTLANDER, HYPHEN, PEON, STF TRADER, NIRVANA, GHUVNA, ASMODEUS, TNFF, FanANFARE, SOL, EXPLORER, and, just because I thought it was such a credit to fandom, Redd Boggs' beautiful ASF STORY KEY. I had all these bound in a huge folder and it collected quite a lot of attention. Some people were seen to sit down for several hours and read the whole thing, staggering away afterwards with a glazed look. I ought to say that more enquiries were made about THE RAY BRADBURY REVIEW than anything else. I forgot to list it above.

ROBINSON:

After having been kept awake half the night by a nearby clock which chimed on a cracked bell every quarter I arose on Saturday morning full of enthusiasm for the week-end's fanning before me. From my experiences at last year's con I knew just about what the scene would be all morning at the Royal Hotel, in whose ballroom the sessions were being held, Informal Sessions is what the programme described them as. I suppose that is the nearest the English language can get to describing them, after all English was evolved long before fandom came along, hence the incomprehensibility of fanguage to those outside the ranks of actifandom, as a side note it is memorable that Forry Ackerman found even Esperanto inadequate and invented Ackermanese, but I digress.


The con hall (avc)

I loaded up my case with flashbulbs and eventually found my way by mechanical worm to Bloomsbury and The Royal. Externally no-one would imagine there was a stfcon going on, no beanies, zap guns (or water pistols) in fact no fun at all. Even the notice in the window of the entrance hall of the con was only half the size of the one used last year. On entering the semi-gloomy anteroom the first sight to meet my eyes was that of Charlie Duncombe with outstretched hand, strange that, he seemed quite surprised when I shook hands. Well after I'd paid for my two day tickets I walked into the con hall and got that old feeling. Imagine the scene, a large, long ballroom, windows all along one of the long walls, all these consisting of small panes of frosted glass, in the centre of each window being the coat of arms of a city or town in Britain. Facing these windows and the speakers table and mike just in front of them, were row upon row of chairs, tidy now for it was early yet and not many fans had arrived. Behind the chairs and along the panelled wall were pinned up original stf drawings of all sizes and a set of photos taken at an Aussie Con. Several stalls were arranged along this wall; the Fantasy Art Society under the able leadership of Alan Hunter and his charming wife, this was one of the most popular stalls at the con as a tremendous amount of artwork, both pro and fan was on display. A large London bookseller had a large stall with literally scores of titles on show, then came several small stalls. Jim Ratigan had some truly magnificent colour paintings on display, Jim should be working for the promags in my opinion, his work is among the very best.


Jim Ratigan and his paintings

Walt Willis had a huge file book full of current fanzines which numerous young fen were seen to be avidly reading through at various times during the con. I'm surprised that there hasn't been an outbreak of fanzines from the younger fen recently, the amount of soaking-up that was going on. In the corner another large selection of current books and mags was on display under the banner of the Fantasy Book Centre, one of Britain's best known suppliers of this type of fiction. On the two short sides of the room were stalls occupied by the Manchester club busy flogging copies of their fanzine ASTRONEER and the first part of a checklist they have put out, and by Vince Clarke and Ken Bulmer with their newszine SCIENCE FANTASY NEWS. This stall incidentally drew attention from large crowds by being liberally decorated by stills from "The Thing" and other current movies.


Vince Clarke and Ken Bulmer with Science Fantasy News (avc)

One of the largest stalls at the con was occupied by Tony Thorne of Gillingham who is fast shooting up into the position of one of the top actifans in Britain, in fact as will become apparent later, Tony's name will forever be linked with this convention in the annals of fan history. This stall occupied half the wall space plus several tables and consisted of artwork contributed by members of Tony's Medway SF Club, most of whom seem to be budding Rembrandts. Fantasy Fotos, both monochrome and coloured, model space ships combining table lamps, three dimensional pictures of lunascapes, vast numbers of books and mags and Tony himself who ought to be voted Mr. Fan of '52 for the progress he's made during the year. I must not overlook the stall occupied by that mighty atom from Lancaster, Ken Potter. Ken kept plugging his Junior Fanatics and their projected fanzine PERI on numerous occasions throughout the con. A point I noticed was that Ken had arranged his stall in front of a mirror which made it look as if it was twice as big as it really was. Right down the centre of the hall was a glass roof which let plenty of light in (amongst other things). The informal sessions were in reality a sort of milling contest where everybody tried to introduced to everybody else, in fact with so many names coming together it was really confusion.

I got so interested in my repeated circular tour of the hall that I forgot to eat any lunch and accordingly before I realised it the clock crept around to somewhere in the neighbourhood of 2 pm and the start of the con proper.

CLARKE:

I remember sticking up pictures and some SFNs on a wall ... someone had vanished two valves from the amplifying equipment overnight, but our chief projectionist and equipment fan Kerry Gaulder was lucky enough to get replacements at the first place he tried ... before I could turn round a couple of hundred times it was dinner time, and Walt, the Pickles, Paul Enever and self hunted a meal.

WILLIS:

After lunch James was showing me the false beard and dark glasses he had brought for his encounter with Chuck Harris but I hadn't time to slip them on before Ted Carnell spotted me. He took a load off my mind — my last Conreport had been on my conscience a little — by being as friendly and as pleasant as could be and then put another one on by asking me if I'd mind saying a few words about sf activity in Ireland. I couldn't very well refuse but I wished to ghod I could have come to the Convention as an ordinary fan, which is all I want to be and all I would be if I hadn't happened to be born in a separate country and have to make like a delegate. Besides I didn't know what to say. We don't have organizations or publicity drives' or do any of the exciting things that the Manchester group does such as going on conducted tours of gasworks and biscuit factories — all we do is fan. And I can't very well stand up and tell everyone how many pages of / or - we've done or how many articles we've written. Besides, here in Ireland, we belong to American fandom more than English, and there were probably more people there that hadn't heard of me than at the Westercon.


Fred Robinson (avc)

Jim Ratigan, Walt Willis, Ted Carnell (avc)

CLARKE:

There must have been nearly a hundred present when Ted Carnell opened the first formal sessions with introductions. I'd hoped he'd read through the list of members, but instead he cast an eagle eye around the hall and picked various red-faced person from the audience to stand and take a bow.

Curiously enough, the first thing to be discussed was where the next Con. would be held, and after each out-of-town speaker had described his club he'd insert a plug for his particular locality as the site, in most cases. Various accents floated through the PA system as the Bentcliffe-Cohen pair exhorted us to Come to Sunny Manchester, Derek advocated a Con. organised by the People Who Make A Business of It at Harrogate, and the Liverpudlians gracefully admitted that anywhere did them.

DAVE GARDNER:

For Liverpool we had Les Johnson facing the audience, and on behalf of the LaSFaS he informed them that Liverpool certainly had no idea of trying to steal the convention honours from London - that we wouldn't take it over if they paid us. Hold a regional convention by all means but keep the main one down in London in the capable hands of the White Horse Tavern fans who by now are used to this sort of work. London, Les pointed out, is the proper place for fan activities, as he believed when he passed over the control of the BIS to London prior to the war, where it has since flourished and grown.

CLARKE:

Walt, speaking in a low voice at roughly 250 words per minute, suggested James for the next Con. Secretary, with the ringing slogan 'GAY PAREE IN '53', an idea that was virtually ignored by the Chairman, and after the disadvantages of London in Coronation year had been pointed out (hotels packed, high prices, etc.) and the advantages of London in Coronation year had been shown (plenty to see, more trains, etc.), a vote was taken on a show of hands which London naturally won hands down (?). Ken Bulmer immediately asked if it would be called the Coronvention. [It should've been - Rob] There was a general feeling that Manchester, who were second in the voting, should have some sort of official backing next year in any case, and as the sessions closed soon afterwards, little groups could be seen arguing the fairness of the voting-system and the possibilities of a postal vote ... more will be heard about this, I think.


Liverpool fans Jim Mooney, Ina Shorrock, Dave Gardner and Norman Shorrock outside the hotel (ns)

After tea-break, a recorded speech by Arthur C. Clarke, at present touring the U.S., was played. After sundry cracks at Bill Temple, Jim Ratigan and others, he broadcast a portion of 'Sands of Mars' read backwards, and then for the benefit of Bill, part of a Yma Sumac record. I don't know the technical details of what he did to that reproduction, but he shouldn'ta done it. Senorita Sumac sounded as if she was not only a hot singer, but roasting alive. (Bill says Arthur nearly put off his American trip when he heard of Sumac's London visit during that period. With malice aforethought Bill went to see Yma on that Saturday night, so that he could gloat at ACC on his return.) ACC then followed with his broadcast review of s-f films, originally heard from the BBC last November, illustrating then with sound-effects. The over-all impression left by ACC's period was the absolute silence in which it was received throughout.

WILLIS:

It was very good indeed, and they'd have been better to let it go at that and perhaps have asked Bill Temple to do a series of footnotes - or even interruptions - rather than anti the climax with a recording of a talk Arthur had given on the radio about sf films. It was all very sensible but we'd heard it all before, and from Arthur. There followed a discussion on the subject "That science fiction is true to the facts of human experience", whatever that means.

CLARKE:

This wasn't my idea of a subject likely to arouse controversy, but luckily I was called out -- Fandom's leading critic and expert (vide NEW WORLDS), Walt, had become embroiled with a 'Sunday Pictorial' reporter. I'd exchanged a few words with the gent previously; he'd been searching desperately for a slant (no caps), and apparently Walt had put him on to the old stand-by, s-f slang. It's surprising how few phrases one can remember off-hand, even though one may use them easily and unconsciously in writing or talking. Eventually the Sunday Pic. man had Walt, Derek, Tony Cooper and myself all scrabbling through fanzines trying to pick out appropriate words. Poorish publicity was preferable to none at all. Eventually we got about four column inches on the back page of some editions. A threatened write-up in the 'Sunday Times' never materialised, and a brave attempt to crash the front page of 'Reveille' was shouldered aside by the curves of a pin-up girl. It was a case of convention or bust, and somebody beat us on points.

We therefore missed the episode of Ted Tubb and the lecherous spiders, returning in time to see the vote taken on the debate ... none for, six against. There was a short interval of pandemonium as chairs were gathered in a close semi-circle around the Chairman's table, piles of magazines and books were heaped on it, and the auction began.

WILLIS:

The Convention had been pretty dull up to now, and it began to look as if the absence (enforced) of Forry Ackerman and Arthur Clarke and the non-participation (voluntary) of Bill Temple and Walter Gillings were going to kill it. I don't know why Bill Temple didn't speak, but at least he was there, whereas Gillings didn't appear at all. Evidently he had been dealt so many grievous blows by the god of sf that he had given it up as a bad Job. Someone suggested that two minutes silence should be observed in his memory. He was missed, though, and we all hoped he'd be back next year to make his usual forecast of the death of science fiction and be chief mourner over the beer.


Ted Tubb auctions (avc)

But the pessimists had reckoned without the ability of Ted Tubb to make the lowly auction the high spot of the Convention. He was utterly magnificent. An auction conducted by Ted Tubb is more than an auction -- it is an artistic experience. Vince Clarke and I spent ecstatic hours on the fringes of the crowd nudging each other and trying to jot down the richest of his remarks before they were followed by others. The result of course is that I can't read half the scrawls I have here. I'll try to reconstruct some of his patter but of course it'll suffer by the absence of Tubb's terrific delivery and the disarming enthusiasm which he would lavish on some incredibly undistinguished paperback, like for instance the BRE of Farley's "Immortals"... "A FIRST EDITION.' THE PLATES HAVE BEEN SMASHED' ... REMEMBER, THIS BOOK WAS BANNED IN BOSTON. (At this point he would open the book at random and pretend to read a lascivious passage - he has a wonderful talent for improvising whole paragraphs in any particular style.) AN HOUR OF EROTIC ENTERTAINMENT. THIS SORT OF STUFF WILL MAKE YOU INDEPENDENT OF YOUR GIRL FRIEND. DID I HEAR A SHILLING? COME OUT FROM BELOW THAT CHAIR AND SAY 1/3. WE SOLD ONE OF THESE FOR TEN BOB AND IT WAS STOLEN FROM THE PURCHASER BY AN OUTRAGED FAN. THIS BOOK WAS BURNED IN EFFIGY IN FRANCE, SMUGGLED INTO THIS COUNTRY UNDER THE GUISE OF NYLONS. WHAT, ONLY 1/3 FOR THIS HIDEOUS TRAVESTY OF HUMAN DRAMA? (Tragically) THIS IS THE TWILIGHT OF THE GODS. ALL RIGHT THEN, 1/3. I'LL TAKE YOUR TROUSERS FOR DEPOSIT. AND NOW... (He pauses dramatically, holding up a copy of AUTHENTIC with his own first novel, "Alien Impact", in it. He waits statuesquely for utter silence. Then, solemnly,..) THE GREATEST PIECE OF LITERATURE EVER WRITTEN... I HEARD THAT. COME ON NOW. DO YOU WANT ME TO COMMIT SUICIDE RIGHT HERE ON THE FLOOR? I DIDN'T HEAR THAT BID. WHAT? VERY WELL THEN, SOLD CURSE YOU. (Now, holding up some issues of FA and Amazing and waiting for the jeers to die down...) NOW, NOW, DON'T DERIDE THE LITERATURE YOU LIVE ON. WHAT AM I BID FOR THIS THICK WAD OF READING MATERIAL GUARANTEED TO LAST AT LEAST THREE NIGHTS. IN PERFECT CONDITION. THEY'VE ONLY BEEN READ ONCE I ASSURE YOU. OLD COPIES OF THE BIBLE FETCH THOUSANDS OF POUNDS AND THIS IS A RELIGION. ALL RIGHT THEN, SOLD FOR 3 SHILLINGS... .NOW, WHAT AM I BID FOR THIS BEAUTIFUL PAINTING? PEOPLE HAVE OFFERED POUNDS FOR IT BUT WE JUST WOULDN' T SELL. WHY, THERE MUST BE FIVE SHILLINGS WORTH OF POSTER COLOUR ON IT. PUT IT BEHIND THE AQUARIUM OR OVER THAT SPOT ON THE WALL WHERE BABY FORGOT HIMSELF. HANG IT IN YOUR DEN IF YOU'VE GOT ONE. (MY DEN HAS A CHAIN HANGING DOWN THE SIDE.)... WHAT OFFERS FOR THIS BOOK BY OLAF STAPLEDON? THERE'LL NEVER BE ANOTHER OLAF STAPLEDON YOU KNOW... THERE WAS ONLY A LIMITED SUPPLY. LOOK AT IT. BEAUTIFULLY BOUND IN GUN METAL GREY, SHOWING UP FINGERPRINTS TO ADVANTAGE. OBSERVE THE NARROW MARGINS - NO HUNTING ALL OVER THE PAGE FCR THE PRINT. FOR ANOTHER SIXPENCE I'LL SIGN IT FOR YOU...." And so on, inexhaustibly. It was a tour de force. Audience participation at the beginning was on the level of those humorous bids of 'one penny', or even more wittily, one halfpenny - on which incidentally George Charters comments in his report that 'Although I have heard this hundreds of times, having worked as an auctioneers clerk for two years, I still do not think it is funny." — but it soon began to improve and for the first time the convention became a corporate entity, a happy state symbolized by the presence in the air of delta-wing paper darts.


Ted Tubb auctions (eb)

CLARKE:

Ted Tubb as an auctioneer was magnificent. There's no other word for it. Heavily fortified by mysterious bottles that had appeared in the Entrance Hall during the afternoon, he swung into the auction with really high spirits.

The sums fetched by magazines were generally low ... 2/- each on the average. The early British 'zines were fetching higher prices, about 3/6d each, and books were going at roughly cover-prices. Unlike U.S. conventions, our brand are usually in the nature of bargain sales.

Supper break followed and after a long interval of reversing chairs and re-arranging them, stifling young fans who were yelling 'Chocolates, ices, cigarettes!" etc, we started, with some misgivings, on the films. 'Misgivings' because, owing to a breakdown of the one we should have had, we were practically forced to take some semi-unknown shorts to go with the hired projector and 'The Man Who Could Work Miracles'. Also, nice tho' the ancient hall of the Royal Hotel is, with space, good lighting, adequate seating, freedom to arrange everything from cover-girls to amplifying equipment on its panelled walls, etc., it isn't made for showing films on a summer evening. There's no means of darkening the windows, and for the first hour or so the screen was a slowly brightening rectangle of creamy yellow on which shadowy blobs swam like amoeba during a mating dance. Paper darts sailed through the air from the young-fan section. I didn't dare look at Jim Ratigan during this time, because he'd painstakingly worked out a lush programme of shorts, timed to the minute, only to have it scrapped within a week of the Con.


Standing: Joyce Hunter, Dave Cohen, Jim Burch, Vince Clarke, with Jack Wilson on far right. Norman Weedall
seated below Burch's left arm. (ah)

WILLIS:

There is nothing like a common affliction for drawing people even nearer together, and this was provided by the film show which followed. A member of the Committee was at pains to tell me it was all the fault of the fellow that owned the projector insisting on showing his own films, so they must have felt guilty about it. They should have. It was awful. First we sat through an interminable "interest" film about sheep dogs and snake bites and fencing and ghod knows what - all the worst afflictions of the supporting programme except talking animals and the royal family - just to see a few rocket shots that we'd seen before and didn't want to see again. Then there were more instructional films about aeroplanes and "How Talkies are Made" and "How Television Works" and so on and on. As yet another of these oozed its way on the screen Ken Potter shouted sarcastically "How To Talk On The Telephone" and there were ugly murmurs of "Call this a Convention?" But with a tenacity worthy of a better cause the wretched projectionist stuck to his guns and the dreary parade continued. The only item that had any interest at all was a French film about astronomical phenomena, and that was only because some rash fan —not me, thank Roscoe - had undertaken to translate the captions as they were thrown on the screen. Since they were very long and full of technical terms he got into serious difficulties, which were greeted by snide comments by the frustrated audience. The commentary soon developed into a cross talk exchange between the commentator and the fans. After all this the main film, "The Man Who Could Work Miracles," seemed almost worth seeing. It wasn't though.

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